НЕЙРОБОСХ

Я генерировал изображения с помощью модели Stable Diffusion 1.5. Метод адаптации: LoRA.Для обучения было выбрано 23 фрагмента картин Иеронима Босха в формате 1:1.В проекте использовалась модель ChatGPT (GPT-6) для помощи в подготовке текстовых описаний, организации процесса обучения LoRA, написании программного кода и составлении промтов.

«Как везли бревно на семи лошадях
Сквозь игольное ушко
да за тридевять червивых земель»

ohwxbosch style, a surreal medieval allegorical procession, seven exhausted horses pulling an enormous ancient wooden log, the gigantic log passing through the impossibly tiny eye of a needle, a strange journey across seven times seven worm-eaten mythical lands, sleep-inducing poisonous fog, wandering dead forests,
dry twisted trees with hollow trunks, decaying branches,
tiny medieval travelers crossing barren landscapes,
hybrid creatures hiding beneath the earth, enormous insects crawling through rotten wood, impossible roads winding through distant ruined towers, dreamlike mist, eerie silence, absurd fairy tale logic, symbolic imagery, intricate miniature figures, dark earthy pigments, muted reds, ochre, dusty brown, aged oil painting, rough painterly textures, dense fantastical composition, intricate details, haunting medieval surrealism, inspired by Hieronymus Bosch

ohwxbosch style, a surreal medieval scene,
a huge log being transported by seven horses,
the log passing through the eye of a needle,
across seven times seven worm-eaten lands,
through soporific mists, through wandering dry forests,
medieval surrealism, dark earthy pigments, muted reds and ochre, aged oil painting, intricate fantastical details, dreamlike atmosphere, composition inspired by Hieronymus Bosch

Мой любимый пример сливающейся толпы — сцена в бане из повести «День опричника». Опричники во главе с Батей раздеваются и заходят в теплую купель. Там они выстраиваются в живую гусеницу, символизирующую общий грех и превращение в единый государственный организм.

ohwxbosch style, a grotesque surreal scene inspired by Day of the Oprichnik by Vladimir Sorokin, inside a traditional Russian wooden bathhouse, COMPOSITION: adult oprichniks form one perfectly round, closed circle, a geometrically regular ring of human figures, viewed from a slightly elevated angle, all men standing shoulder to shoulder in hot bathwater, each man pressed closely against the men beside him, equal spacing between every figure, the circle is complete, symmetrical and clearly visible, the center of the circle remains open, all figures have equal visual importance, no leader, no central character, no line formation, no spiral, no scattered figures, OPRICHNIKS: adult Russian men inspired by sixteenth-century oprichniki, shaved heads, stern faces, heavy brows, prominent cheekbones, thick moustaches, broad shoulders, powerful builds, intimidating expressions, their upper bodies emerging from steaming water, historically inspired Russian clothing resting on wooden benches, DOG’S HEAD: one severed dog’s head resting separately on the wet wooden floor beside the bath, clearly recognizable canine features, non-graphic depiction, no excessive blood, traditional Russian wooden bathhouse, rough timber walls, wet benches, wooden buckets, thick clouds of steam, rippling water, dim amber light, deep shadows, dark earthy pigments, muted reds and ochre, aged oil painting, grotesque symbolism, intricate details inspired by Hieronymus Bosch, clear silhouettes, distinct faces, anatomically coherent bodies, one single closed circular formation, no duplicated heads, no fused bodies, no extra limbs, no extra animals

ohwxbosch style, a grotesque surreal scene inspired by
Day of the Oprichnik by Vladimir Sorokin, inside a traditional Russian wooden bathhouse, a group of adult oprichniks standing tightly together in hot water,
forming one continuous human chain shaped like a caterpillar, each man pressed closely against the man in front of him, the bodies aligned in a single winding formation, the entire group clearly visible, Batya, the leader, at the head of the formation, a stern authoritative adult man, the other oprichniks following directly behind him, their faces individually distinguishable, their shoulders and upper bodies emerging from the steaming water, wooden bathhouse walls, wet timber, thick clouds of steam, rippling water around the tightly packed figures,
dim amber light, deep shadows, grotesque solemn expressions, dark earthy pigments, muted reds and ochre, aged oil painting, intricate textures,
surreal medieval atmosphere inspired by Hieronymus Bosch, clear readable composition, one continuous chain of people, no scattered groups, no unrelated characters,
no duplicated heads, no fused faces, no extra limbs, no unrelated activities

Я решил что лучше всего использовать сливающуюся толпу Босха чтобы показать масштабные народные волнения

ohwxbosch style, a surreal grotesque painting titled March of the Communist Brigades, a large organized procession of communist workers, marching forward along a broad medieval city street, workers arranged in several orderly parallel rows, each person has a distinct recognizable silhouette, red flags and banners held high above the crowd, hammer and sickle emblems on fabric banners, workers wearing dark industrial uniforms and worn work clothes, stern faces, determined expressions, some carrying tools and red flags, a strange industrial city inspired by medieval European architecture, tall brick factories, chimneys, smoke rising into the sky, oversized gears, strange machines and monumental buildings, surreal hybrid details hidden in the architecture, grotesque Bosch-like figures in the distant background, wide panoramic composition, clear separation between marching rows, the procession moves in one consistent direction, foreground workers clearly visible, crowd becomes smaller toward the distant background, dark earthy pigments, muted reds, ochre and brown, aged oil painting, intricate textures, dreamlike atmosphere, symbolic surrealism, composition inspired by Hieronymus Bosch, distinct human figures, coherent anatomy, no fused bodies, no duplicated faces, no tangled limbs, no chaotic overlapping silhouettes

ohwxbosch style, surreal grotesque historical painting, the shelling of the White House of Moscow in October 1993, the Russian parliament building under artillery fire, thick clouds of smoke rising above the monumental white building, damaged facade, broken windows, dust and debris, military tanks positioned on a wide city avenue, distant silhouettes of soldiers and civilians taking cover, a tense and tragic atmosphere, chaos and political collapse, smoke drifting between monumental Soviet buildings, dark symbolic imagery, surreal figures hidden in the smoke, strange Bosch-like details in the distant background, wide cinematic composition, the White House clearly recognizable in the center, tanks visible in the foreground, the building dominates the scene, dramatic overcast sky, muted gray, ochre and dark red palette, aged oil painting, intricate painterly textures, historical tragedy portrayed as a dark allegory, inspired by Hieronymus Bosch, high detail, coherent architecture, realistic perspective

«Что за злая ночь!
Я застрял в лифте
Погасили свет
Я теперь нигде»

ohwxbosch style, a surreal medieval allegory of a man trapped inside an elevator between floors, a lonely exhausted man in an ancient iron elevator cabin suspended above an endless abyss, flickering red light, broken floor indicators, strange hybrid creatures crawling across the elevator walls, tiny human figures trapped in miniature elevator cabins, impossible staircases, twisted steel cables hanging like fragile threads of fate, a vast dark elevator shaft resembling a medieval infernal tower, bizarre machines, distorted clocks, floating objects, ghostly reflections, abandoned city glimpsed through narrow doors, a mysterious golden beam of heavenly light entering the darkness, the man facing an existential revelation, isolation, absurdity, black humor, symbolic imagery of a broken life and unexpected hope, intricate miniature figures, surreal architecture, dense composition, dark earthy pigments, muted reds, ochre, tarnished metal, aged oil painting, rough painterly textures, intricate fantastical details, dreamlike atmosphere, haunting medieval symbolism, composition inspired by Hieronymus Bosch, masterpiece