Alisa Orlovtseva
Communication designer · Saint Petersburg
Design that works for your business, not just looks good.
I collaborate with businesses and institutions across the cultural, social impact, fashion and creative sectors, providing thoughtful design solutions tailored to their needs.My work covers the entire design process — combining brand strategy, marketing insight and visual communication to build distinctive identities and present businesses with clarity and confidence.I develop brand identities, corporate design systems, packaging, merchandise, print materials, social media assets and presentations. Each project is tailored to help organisations communicate their value, promote their services, bring their initiatives to life and demonstrate their impact.Tools: Adobe Creative Cloud, Figma, Blender, Procreate, Fontlab
Scroll to see cases from different fields.

Case (01)
A Typeface of Its Own
A bold and unconventional alphabet where every letter has its own personality. Playful, rebellious and deliberately imperfect, the typeface breaks away from traditional typography, embracing irregular shapes, unexpected details and a fearless visual expression.Each character is unique, coming together to create a distinctive and expressive typographic language.
Case (02)
Typographic Calendar for the Hermitage
Problem The Hermitage’s rich collection of art and historical artefacts is often experienced only within the museum.Idea Bring the museum’s cultural heritage into everyday life through a calendar.
Solution Create a typographic calendar featuring artefacts from the Hermitage collection, combining art, modern typography and graphic design.
Case (03)
Typesetting of a Play by Samuel Beckett
Problem Samuel Beckett’s play Happy Days presents a complex theatrical text that requires thoughtful typography and layout to preserve its structure, rhythm and readability.Idea Create a carefully designed edition that reflects the distinctive atmosphere of the play while making the text comfortable and engaging to read.
Solution Develop an editorial layout for Happy Days, combining expressive typography, clear text hierarchy and a consistent grid system to balance readability with the dramatic character of the original work.
Case (04)
Visual Identity for a Contemporary Art Festival
Problem The festival needed a distinctive visual identity that would reflect the diversity of contemporary creative practices and stand out in a crowded cultural landscape.Idea Create a flexible visual language that captures the experimental spirit of contemporary art while bringing different creative disciplines together under one identity.
Solution Develop a cohesive visual identity for the festival, combining expressive typography, bold graphic elements and a versatile design system adaptable across promotional materials, digital platforms and event graphics.
Whether you need a brand identity, a campaign or a presentation, let’s work together.
Let’s work together!






